Vanilla sky 22/25/2024 ![]() ![]() The vanilla of the sky refers just to the look of the sky when David is about to perform is his totally sensible dream-suicide. Something about impressionism? Then I realized when searching for a screencap to accompany this review, that the film had tricked me into thinking about it too abstractly yet again. I spent awhile trying to come up with some connection between the Monet painting by the same title and what I watched, but couldn’t come up with anything. I’m guessing that the actors didn’t have an entire script in hand when they started filming, otherwise, why would they sign on? Eight-year-olds know the “it’s all a dream” ending is among the most dissatisfying things a writer can do with a story. The really amazing thing is that this movie was completed. 8, 2022 10:17 am EST 'Vanilla Sky' is a 2001 film that blends elements of surreal. Oh, sorry, I thought you asked how anyone could possibly come up with a plot that absurdly convoluted. Movies Drama Movies The Ending Of Vanilla Sky Explained Paramount Pictures By Brandon Shoaff / Feb. ![]() According to the fiction, the film really is all a dream.ĭrugs. The “wake up” voice at the end cancels out the interpretation that David is just crazy and opted to off himself at the end. That’s literally the given circumstances according to Vanilla Sky ’s script. See David meets a guy in a bar, in a dream, who, in reality, works for tech support, from a futuristic company that his subconscious has never heard of but his conscious has employed, and he has to listen to that guy’s advice, and ignore the unexpected visions of his former lovers as well as the therapist filling his dream-mind with nonsense about acrophobia, and take the sensible path of riding an elevator to the top of the dream-construct skyscraper and jump off the roof in order to jolt his conscious mind awake and into a future reality where he’s wealthy, successful, and happy. ![]() No matter how sarcastically envious men might summarize the central character’s problems - hmmm, Cruz or Diaz? Gosh, that would be torture - only a churl could find no sympathy with his guilt-wracked ordeal.So naturally Vanilla Sky’s transition to a plot involving cryosleep and 150 year long lucid dream states is as smooth as butter. As usual Crowe’s use of music (wife Nancy Wilson’s score, interwoven with the likes of Dylan, R.E.M., Radiohead and a title song composed by Paul McCartney) adds bonus dividends. It’s all carefully composed with suggestive references and allusions, alternating layers of dream, reality and confessional flashback related by the masked David to his understandably riveted psychologist (Russell, serving well as a baffled, tenacious interrogator on behalf of the audience).Ĭruz, reprising her role from the Spanish original, meets the requirement of being enchanting, Diaz as “the saddest woman to ever hold a martini” is unnervingly nuanced between perky seductiveness and menace, and the unbalancing act is sustained by a strong supporting cast that includes Timothy Spall, Noah Taylor and Tilda Swinton.įrom the eerie opening sequence, Crowe and cinematographer John Toll use New York like an autumnal fairytale realm, with Monet skies and clues to the truth sprinkled through the set decoration. Let it suffice to say that David is worn down from a cocksure man-about-town to a complete physical and mental wreck, fearful of “inviting happiness in without a full body search”. To say much about the plot would be as cruel as the nightmarishly bizarre and relentlessly unsettling events that beset the protagonist, since much of the compelling intrigue and emotional impact come from putting some work into fathoming what is happening. Thankfully, speculative philosophy comes with haunting visual flourish and profundity is leavened with poignance and flashes of Crowe’s customary warmth and humour. The character of David Aames is effectively Jerry Maguire on a bad acid trip, with disfigurement and hallucinatory alienation wiping that winning, signature smirk off his face after the crisis.Ĭruise is in fact more impossibly gorgeous than ever, between affecting stints brooding in a blank mask and tormented under remarkable prosthetics, and Crowe is confident enough in our continuing delight in looking at him to attempt his darkest, most ambitious and artiest work to date. Oscar nomination number four should surely, therefore, follow? Tom Cruise loses his looks and his mind in Cameron Crowe’s much-anticipated cover version of Alejandro Amenábar’s 1997 psychological thriller, Open Your Eyes.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |